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Comments
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why there is something instead of nothing?
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The line work and usage of a gradual color shift from top to bottom creates great flow, and balance is beautifully achieved thanks to consistency between brush strokes, texturing, and the arrangement/brightness of the design elements. Even though the four cartridges (or whatever they are) in the top left stand out, they still get balanced out by the brighter design in the middle. The industrial look is also successfully accomplished. Really like the flakes of red near the bottom, as if the paint has long-since peeled off a metallic wall, weathered by time's hammer.
I'm a little skeptical of the shade of yellow, though. If it has more orange, like a marigold, I think it would look much more appealing to look at. Also a saturation reduction would also benefit the mood of the piece, seeing how I think creating a cold surface (as opposed to a warm appealing texture) would give it more uniqueness.
That's about all I can come up with. It's so simple, there isn't a whole lot to be said about it, except it's worthy of a fav.
ama ismim "Louis Cyphre" bu konuda cok hassas bi insanim
By the way thanks to all users who stop by and post comments Thanks.
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why there is something instead of nothing?
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